In her Whirls series, Aliki applies gosu with an airbrush while circulating the plate, resulting in a new expression in which could also be referred as a new interpretation of the Kumihimo-mon of Nabeshima-yaki. In her Marbling series, she applies underglaze pigment on a coated paper with a brush, and then pours drips of transparent cleansing liquid on top, allowing natural physical reactions to create unseen patterns, which would be transferred on the surfaces of the porcelain. In her Made By Rain series in which she had previously exhibited in textile and photography since 2013, she succeeds combining the method with Arita porcelain by stabilizing patterns created by capturing natural raindrops falling from the sky on the glaze—merging the nature and traditions found in Arita.

Furthermore, her Disappearing Mountain series is inspired from the shocking landscape of an entire mountain that had disappeared as a result of humans drilling and scoping. The artist picked up some stones consisted of the clay of Arita, and applied underglaze by transferring a pattern of an old kimono she found in a second-hand retail in Arita, to simply and strongly exemplifying the startling abysmal nature of humans that had eaten up a whole mountain. On the other hand, her Overglaze series is inspired from red overglaze in which is commonly applied on magnificent typical Arita porcelain. During her everyday commute to and from her home and kiln, she found natural landscapes that seemed as though overglazed with the color red. These landscapes will be presented in the exhibition as a photographic medium, which is a method the artist had been focusing on since the early stages of her artistic career, and invite viewers to see Arita porcelain with a new perspective.